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Photojournalism after Digitalization: State of Photojournalism in the Czech Republic
Lábová, Sandra ; Silverio, Robert (advisor) ; Nilsson, Maria Elisabeth (referee) ; Allan, Stuart (referee)
This dissertation undertakes ethnographic research to examine photojournalism in the Czech Republic comprehensively. It builds on the importance of news images in the media representation of reality while considering the authenticity of photography. It stresses photojournalists' role in gatekeeping decision-making and discusses the challenges they face in the evolving media market and developing technology. The research employs qualitative and quantitative methods to examine four dimensions of current photojournalist practice in the Czech Republic: professional identity, production process, ethical standards, and working conditions in light of rising competition. Key findings show passionate and dedicated professionals facing challenges in digitalization and limited resources. Respondents prioritize authenticity and autonomy but highlight the concerns about the underrepresentation of photo departments and the impact of competition in photojournalism. Nevertheless, they express high job satisfaction, viewing their profession as prestigious and rewarding. This research sets a foundation for future longitudinal studies of Czech photojournalists by providing arguments for several concerns, such as gender disparity, technological advancements, and audience perception of visual narratives.
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Visual framing of the war in Ukraine
Zítko, Tomáš ; Lábová, Sandra (advisor) ; Géla, František (referee)
The thesis "Visual Framing of the War in Ukraine" examines how Czech and foreign newspapers construct the media image of this conflict in published photographs. The theoretical focus of the thesis is mainly on framing theory and its visual dimension, agenda setting and peace journalism, using this normative direction as a starting point for the frames analysed in the practical part of the thesis. The analysis combines quantitative and qualitative approaches The aim of the quantitative part of the analysis was to fill in the previously missing data on the visual framing of the war in Ukraine by Czech and foreign media. Furthermore, it focused on the development of the frequency of photographic coverage of the analysed conflict and the identification of the roles of actors appearing in the images. The qualitative part attempted to explore the findings of the quantitative part in more depth by analysing a selected part of the images depicting the identified frames.
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Documentary photography: Climbing as a lifestyle
Dlesková, Veronika ; Géla, František (advisor) ; Lábová, Sandra (referee)
The bachelor thesis entitled Documentary photography: Climbing as a lifestyle is divided into two parts - theoretical and practical. The theoretical part deals with the historical connection between documentary photography and high-altitude mountaineering. Furthermore, I study the representation of climbing photography in media. The thesis presents the genre of documentary photography and explores the difference between documentary photography and reportage photography. I present the cameras used by climbers in the first half of the 20th century while climbing the highest peaks in the Himalayas. I briefly describe the methods used to document climbing on Mount Everest nowadays. In the practical part of my thesis, I document the current generation of Czech climbers, for which I use both the photos taken on the rocks and the pictures presenting an authentic insight into the lives of people who call climbing their lifestyle.
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The Taliban in a pedal boat: A visual framing analysis of Associated Press and Reuters news photographs of the fundamentalist regime after the end of the Afghanistan war
Gironès Martín, Cristina ; Lábová, Sandra (advisor) ; Turková, Kateřina (referee)
The early photographic coverage of the Afghanistan war in 2001 was part of the 'War on terror' discourse, arising from the 9/11 attacks. The information environment was shaped by the US administration's control (Cherkaoui, 2017), and frames were used to depict the enemy, the Taliban, in a way that justified the military intervention (Miller, 2004). Twenty years later, in 2021, US forces decided to leave the country definitively; thus, the war is considered over. This study compares the visual representation of the fundamentalists in Associated Press and Reuters news photographs in 2001 and 2021 through the lens of framing theory (Entman, 1993) with the peace journalism concept (Galtung, 1986). For this aim, a mixed methodology is employed. On one hand, the content analysis discovered that after 9/11 a polarized frame was used to portray the Taliban, something that strongly changed after the war ended. Even though peace is not completely established, the fighters are overall seen from a more humanizing point of view. On the other hand, the semiology analysis found that in 2021 Western coverage still reproduces the Us/Other rhetoric which is reinforced by a misperception of the Arab/Muslim world. Keywords Afghanistan war; framing; peace journalism; photojournalism; stereotypes; information dominance.
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War Photojournalism and Violence in Worldwide Photojournalism Contests
Patzner, Dominik ; Lábová, Sandra (advisor) ; Silverio, Robert (referee)
This master's thesis researches how often and how worldwide photojournalism competitions award photographs that capture phenomena such as war conflicts, violence, and their consequences. The basis of this research is a hypothesis that shots capturing described phenomena dominate some of the contest categories. The theoretical part contains fundamental information related to the topic of the research - negativity as a news value and the concept of war frame in the journalism field. Peace journalism and solutions journalism have developed to answer to the high rate of negative content in the news, as they do not focus on the negative aspects of events, which presents a different approach to journalistic work. The relation between those two approaches and photojournalism is described in more detail, so is a brief overview of worldwide contests and their influence on the photojournalism field. The research part of the thesis combines content analysis with semiotic analysis and delves into the frequency of awarding described photographs and the content of the photographs, as well as the development in awarding such pictures in time. The research also includes the analysis of several photographs that can be considered a part of peace or solutions journalism. The semiotic analysis then explores such pictures in...
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Changes of the form and content of photography due to growth of mobile photography and social media
Shupikova, Alina ; Láb, Filip (advisor) ; Štefaniková, Sandra (referee)
This thesis attempts to answer the question whether there has been a change in photography due to the growth of mobile photography and social media. The initial assumption is that the growth has influenced changes within photography's form, function and perception. In an aim to narrow this relatively broad topic, the thesis is focused on professional photojournalism and the usage of the social network Instagram as a platform for the publication of photographic reportage. The practical part of the work is a case study of a photoreportage by TIME magazine on Instagram which captured hurricane Sandy in 2012. This innovative photojournalistic method is compared with reportages done on similar events in 2005 and 2011.
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Photography in media and its impact on perception of objective reality
Šeflová, Tereza ; Láb, Filip (advisor) ; Dvořák, Tomáš (referee)
This diploma thesis describes the way by which can photojournalism operate with the audience and how it is possible to influence a view of recipients about the world around us by photography. The thesis is devided into theoretical and practical part. The theoretical part is based on accessibility of the Czech and foreign literature and in its beginning that represents what photojournalism is and what is its role in media. A part of the opening chapter is also a discussion of ethics in the photojournalism. Furthermore, there is explanation of the process of how a recipient perceives visual communication. One of the key components of this work is a summary of how experts from the fields of photography and media see the possibility of influencing the audience with photos in the media. There are explained the concepts of the terms visual agenda setting and visual gatekeeping. The ways by which media most often manipulate a recipient are described and there is outlined also the question of objectivity in photojournalism. The end of the theoretical part is devoted to a relatively popular topic of digital photo editing in the media. The practical part of this thesis involves a qualitative research carried through in-depth interviews, which explores ways in which the photos, that are included in printed...
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Truth at photojournalism: Digital image manipulation as a means of persuasion
Králová, Pavla ; Lábová, Alena (advisor) ; Chuchma, Josef (referee)
The bachelor thesis Truth in current photojournalism: Digital manipulation of images as a mean of persuasion analyzes the digital manipulation of news photography used in media in the emphasis on the persuasive function of the manipulated photographs. In the first part of the thesis, the main focus is mainly on theory. It describes the difference between analogue and digital photography, deals with the term of postphotography, depicts objectivity in photography, covers with the role of photography in media, defines conception of photographs as true medium as a cultural construct. It is also devoted to the decription of the terms of persuasion, manipulation of both analogue and digital photography, ethical aspects of editing of photographs, demarcates the limits of objectivity in photography and it deals with the relationship between the manipulation of the images and the manipulation of memory. The third part of the thesis is a detailed interview with Jan Ždimera, who works as a press photographer in ČTK. The interview concentrates on manipulaton of photography, ethics of photo manipulation and on correct work of press photographers and image editors in media.
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The photography in the Respekt Magazine
Svatá, Kristýna ; Lábová, Alena (advisor) ; Turek, Pavel (referee)
Bachelor thesis "The Photography in the Respekt magazine" deals with using photographies in this medium. It emphasizes the period of the first half of the year 2006, when the magazine serialized as a broadsheet, and the period of the first half of the year 2008, when it changed its format to the magazines' one. The purpose of this thesis is to subscribe, how the redaction deals with the pictorial part of the magazine's content - it observes what is behind the creation and what happens with pictures before they are published. It subscribes the role of the photographer and the picture editor as well. The next issue, which is pointed out, is the analysis of the photographic content in both periods under consideration. It shows changes which were connected with the formats' change, with new possibilities for photography in the magazine. This analytical part of my thesis is led by the chapters which present the history and the contemporary version of the Respekt magazine. The next chapter deals with photojournalism and its classification.
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Visual memory of Knížecí Pláně
Novák, Ondřej ; Lábová, Alena (advisor) ; Turek, Pavel (referee)
In this bachelor thesis, I will attempt to describe and document a very important sociological issue in modern Czech history: expulsion of the German population from Czechoslovakia after the Second World War. The main method that I will be applying is visual sociology. Obtained knowledge from the research are classified in the historical and sociological context overlapped to the present. I have chosen specific time and place so that I can demonstrate issue of the expulsion of German population from the Czech borders area. I realize the extent of this issue and also that it is not possible to analyze the issue as a whole on dozen of pages. Still, I think that based on the findings of this research, readers will be able to imagine conclusions in a broader context and that this knowledge reader will be able to create an image of this issue in the present and its impact on the landscape and society. For the main part of this thesis I consider my photographs of the place, on which this work reports. On the basis of the theory of visual sociology, I consider these pictures the most important part of this work. On the basis of these photographs, the reader (or viewer) stores the information that is absorbed and his subjective perception of these images creates feel and the views of the problems with real...
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